While Coco Chanel’s ready-to-wear designs (labeled under the House of Chanel) were understated, her jewelry was bold, flashy and highly ornate. We explore the history of Chanel jewelry, the most influential jewelry designers behind the Chanel brand, and how they, alongside Coco Chanel, revolutionized the costume jewelry industry.
The 1920s Perception of Fine vs. Costume Jewelry
The Introduction of the Chanel Maltese Cross Cuff
For her own line of costume jewelry, Chanel turned to Duke Fulco di Vedura. In 1927, Fulco was working for Chanel as a textile designer but Chanel quickly noticed his talented eye and asked him to update the settings of her own fine jewelry. Soon after, Chanel made Fulco the head designer of Chanel jewelry, a post he would hold for eight years.
Together, Chanel and Fulco designed the now iconic Chanel Maltese Cross motif. The cross design (also known as the Almalfi cross) was loosely inspired by the star of the Knights of Malta. In Fulco’s interpretation, the Maltese cross was filled with multi-color semiprecious stones and set upon a mismatched pair of white enamel bracelets. Chanel adored these bracelets, added them to her personal wardrobe and wore them constantly. The Chanel Maltese Cross cuffs became commercially available around 1930 and have remained a mainstay of the Chanel jewelry collection since.
Chanel, Fine Jewelry, and the Bijoux de Diamants
In 1932, Chanel began experimenting with her first and only fine jewelry collection, dubbed the Bijoux de Diamants. The traditional fine jewelry designers largely scoffed at her foray, criticizing her designs and dismissing her as a simple dressmaker and costume-jewelry designer. The Chanel house did not dabble in fine jewelry until 1993 when the brand opened a fine jewelry and watch boutique in Paris’s Palace Vendome. To commemorate the event, Chanel released the original Bijoux de Diamants designs alongside their latest collection.
Rebuilding After World War II with Robert Goossens
In 1939, World War II was already underway and Chanel closed up her shop for the duration of the war. Chanel reopened her store at 31 Rue Cambon in 1954 and resumed production of her ready-to-wear and jewelry collections.
Goossens shared Chanel’s love of mixing faux and semi-precious stones in his designs. He is best-known for designing a gold brooch with three pearls and a diamond which Chanel wore herself and replicated in her collection. Goossens would continue designing for the Chanel brand, even after Coco Chanel passed away in 1971.
Chanel Jewelry Today
Today, the Chanel brand still honors its costume jewelry origins and Coco Chanel’s fundamental beliefs that jewelry should be a healthy (if not playful) mix of fine and costume jewelry so the wearer can pile up inexpensive jewels that pair perfectly with their ensemble. Chanel herself was a pioneer in the trend of costume jewelry and the iconic designs are as popular today as they were when they debuted.